近期关于Claude’s c的讨论持续升温。我们从海量信息中筛选出最具价值的几个要点，供您参考。
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最后，The 12 Step 2 expands on the original with five-pin DIN input and output, as well as expanded expression options with each of the 12 pedals that are laid out just like an octave on a keyboard. Both the pressure and the tilt of each pedal can be mapped to unique CCs, allowing things like filter, attack, and resonance to be adjusted as you bear down on each press. The computer-based editor is simple to understand, and each pedal can send chords with up to five notes each for a richer sound with minimal tap dancing. You’ll need your own module to generate sounds with the MIDI messages sent by each pedal, but the USB output can be routed into a phone, tablet, or laptop for easy control of synth plugins on any sort of device you have. The 12 Step 2 is light, durable, and thin, making it easy to drop on top of your guitar pedals before you stash them in a road case for safe keeping. The same can’t be said about a Moog Taurus or the Roland PK-6, which is 3 inches high and 10 pounds, versus the 12 Step 2, which is 1 inch high and only 1.25 pounds.
另外值得一提的是，Imagine you have a drum machine that’s controlled with the trigger pads on your MIDI controller. The audio output of the drum machine is routed to a loop pedal. You step on the looper once to record, then again to playback. If you flub a note it’s back to the drawing board, and there’s no chance of changing the speed of the loop without also messing with the pitch of the recorded audio. As fun as live looping can be, the limitations of looping audio can shackle you to a rigid workflow that’s easy to screw up.
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