这也解释了为什么黄子华会成为《夜王》的核心气质。他谈到自己拿到剧本时最大的反应是“这要怎么演？”因为它既有很多搞笑元素，又有很重的戏剧性；如果不认真去演那些冲突，戏剧性撑不住，但如果完全按方法派沉下去，又做不到喜剧的放开。他说自己每天都在衡量这种平衡。这段话不只是演员的表演心得，其实也体现了影片的价值观：港式幽默不是把悲伤盖住，而是在悲伤发生的同时努力地笑。
Из справки-ориентировки на Василия Бабушкина — сентябрь 1971 года:
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电影《伊万的童年》(1962)